Boy Blue, Barbican Theatre: ‘Hip-hop dance troupe lacking its usual punch’
The Olivier Award-winning company’s latest show, REDD, deals with grief and betrayal, but ends up feeling ‘flat and emotionless’
Gabriel Wilding
Giselle, Sadler’s Wells, ballet review: ‘Dark, twisted and imaginative’
Akram Khan’s interpretation of a classic is ‘utterly magical to behold’
The Doctor, Almeida Theatre: ‘High-calibre, unique drama that will leave you a changed person’
Robert Icke’s third collaboration with Juliet Stevenson, and his last outing as the theatre’s associate director, is ‘impeccable’
Jesus Christ Superstar, Barbican Theatre: ‘Modern, but with all the clout of the original’
Director Timothy Sheader’s fresh take on the classical Lloyd Webber musical ‘enthralls, appalls and innovates’
The Hunt, Almeida Theatre: ‘This show has it all’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’
Maria Stuarda, The Old Church, opera review: ‘Revolutionary take on a sometimes distant art form’
OperaUpClose’s new production of Donizetti’s classic is ‘rich and heartbreaking’