Temper Shoreditch, food review: ‘Dark, deep and dangerous’
The barbecue chain’s new branch is a ‘palace to paleo god Carnivora’
Gabriel Wilding
Triangle of Sadness, film review: ‘Searing dissection of wealth’
Ruben Östlund’s black comedy is a ‘gargantuan success with a knock-out cast’
The Cherry Orchard, The Yard Theatre, stage review: ‘Space drama that never quite gets into orbit’
Vinay Patel’s reimagining of the Chekhov classic is ‘weighed down by its own ambition’
Three Crowns, Stoke Newington, food review: ‘Elevated pub grub with flamboyant little details’
Chef Ousmane Gaye and his team lift a classic afternoon at the boozer to new heights
Both Sides of the Blade, film review: ‘A world of small rooms and bottled emotions’
Claire Denis’s romantic drama is an ‘interesting addition to the genre, but not a game-changer’
Funny Pages, film review: ‘Oddball characters, single-minded goals and bitingly funny one-liners’
Squid and the Whale actor Owen Kline’s directorial debut is ‘impressive’
Flat Earth Pizza, Cambridge Heath, food review: ‘A temple of careful, conscious and creative eating’
The restaurant makes a triumphant return to permanent digs with some ‘fresh magic’
Seoul in a Bottle, Kraft Dalston, food review: ‘Stuck in the middle and confused’
Delays and awkward stand-offs put paid to an evening that began with promise
South Pacific, Chichester Festival Theatre at Sadler’s Wells, stage review: ‘Come and revel in the power of love’
Daniel Evans’s ‘thoughtful’ adaptation of the Rodgers and Hammerstein classic brings it elegantly into the 21st century
Patriots, Almeida, stage review: ‘A must-see for anyone worried about Europe’s future’
Peter Morgan’s masterpiece ‘deconstructs what patriotism means to Russians’
Supa Ya Ramen, Kingsland Road, food review: ‘Mouth-slurping goodness’
Luke Findlay’s permanent venue is a ‘winner’
Noci, Islington Green, food review: ‘Bubbling atmosphere but a lack of Italian flair’
There’s an impressive buzz around Louis Korovilas’s new venture, but it’s missing some individuality
Daddy, Almeida Theatre, stage review: ‘Floundering in a sea of conflicting story arcs’
Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’
Caravel, Regent’s Canal, restaurant review: ‘Petite but perfectly formed offering’
The restaurant on a converted barge is ‘well worth the expense’
La bohème, English Touring Opera, Hackney Empire, stage review: ‘Puccini is still master of the miserable’
Despite a few ‘odd creative choices’, the classic opera’s ghoulish nature remains
Patrick Watson, Jules Buckley & BBC Symphony Orchestra, Barbican, stage review: ‘A musical funhouse’
Another example of why the Barbican’s pairing of popular music stars with classical orchestras works ‘so sublimely’