Pina Bausch’s Bluebeard, Sadler’s Wells, dance review: ‘Clever, funny and harrowing’
German company Tanztheater bring the late Bausch’s show to the UK for the first time – and do justice to her legacy
Gabriel Wilding
Barboun, Old Street, food review: ‘Soaring highs and plummeting lows’
The Levantine restaurant is ‘beautiful and refined’, so it’s a shame the food doesn’t quite match up
Albion, Almeida Theatre, stage review: ‘A beautiful parable for modern times’
Rupert Goold’s reprisal of Mike Bartlett’s family drama ‘does not have a single chink in its armour’
Gut, Barbican, stage review: ‘Thrilling, inquisitive and well-acted’
Frances Poet’s ‘razor-sharp’ family drama, performed by Guildhall graduates, avoids ‘black and white simplicity’
Galactik Ensemble, Sadler’s Wells: ‘If all mime is this energetic, sign me up’
The French company’s show for London’s International Mime Festival mixes ‘incredible acrobatics with wry humour’
Bong Bong’s Manila Kanteen, Hackney Road: ‘Dishes that will astound a jaded London palette’
The new Filipino restaurant, which started life as a food truck, is a ‘marvel’
The Red Shoes, Sadler’s Wells, ballet review: ‘Lavish, beautiful and devilishly funny’
Matthew Bourne’s retelling of the classic film is full of ‘satirical and playful magic’
Top Cuvée, Highbury: ‘Charming, lively evening filled with wine and flavour’
Chef and co-owner Brodie Meah’s restaurant is a stylish choice for both oenophiles and eco-warriors
Marvin Khoo & Temple of Fine Arts, Sadler’s Wells: ‘Exceptional dance company conjures up myth and magic’
The Bharatanatyam ensemble dazzled audiences last month as part of Darbar Festival 2019
Daffodil Mulligan, Shoreditch, food review: ‘Irish fine dining delivers clever flavours’
Michelin-starred chef Richard Corrigan brings a ‘magic touch’ to City Road
Acosta Danza: Evolution, Sadler’s Wells: ‘Cuban dance troupe at its eclectic best’
After returning from a critically acclaimed world tour, Carlos Acosta and his cast light up the stage with new and existing work
Emanuel Gat: Works, Sadler’s Wells, stage review: ‘Experimental dance without the pretension’
Choreographer Emanuel Gat creates ‘beauty in chaos’ in this collection of pieces
As You Like It, Barbican Theatre, stage review: ‘Brave but messy reinvention’
Kimberley Sykes’ take on the Shakespearean comedy feels ‘novel for the sake of it’
The Lovely Bones, Hackney Empire, stage review: ‘Slick look at life in all its shades’
Bryony Lavery’s adaptation of the bestselling novel shows ‘once again that theatre has a magic like nothing else’
Vassa, Almeida Theatre, stage review: ‘Classic family drama given a good shake’
Maxim Gorky’s dark comedy about power and greed, adapted with aplomb by Mike Bartlett, ‘rings as true today as it did in 1910’
Ivanov, Barbican Theatre, stage review: ‘A shining cast dimmed by technical flaws’
Theatre of Nations brought Anton Chekhov’s first full-length play to London in its original language – but subtitling issues resulted in confusion