Roots/Look Back in Anger, Almeida Theatre, stage review: ‘Extremes are the rule of the day’
An ambitious run of two plays using the same cast enables some serious acting chops
An ambitious run of two plays using the same cast enables some serious acting chops
The UK debut of Branden Jacobs Jenkins’ play is ‘engaging, if not mind-blowing’
Marina Carr’s drama features a ‘jaw-dropping’ lead performance, but is somewhat let down by its ‘unrelentingly pounding’ subject matter
Shouts, snatches of song, and sudden clashes of cymbals keep everyone on edge
Peter Morgan’s masterpiece ‘deconstructs what patriotism means to Russians’
Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’
Maxim Gorky’s dark comedy about power and greed, adapted with aplomb by Mike Bartlett, ‘rings as true today as it did in 1910’
The N1 theatre stages the tragedy with a variety of bells & whistles that make for a stylish production
The show, devised by the Almeida young company, saw audiences peppered with provocative yes-or-no questions
Echoes of Rigsby from 70s sitcom Rising Damp in the way Fiennes turns dialogue into series of japes
Ben Whishaw impresses as a Greek god in Anne Carson’s slick adaptation of The Bacchae by Euripides
Alecky Blythe reflects on a successful run with her verbatim play about the Hackney Riots, Little Revolution