King Lear, Almeida Theatre, stage review: ‘Ramped-up, sexed-up take on the Shakespeare classic’
Yaël Farber’s adaptation keeps the audience ‘gripped throughout’
Yaël Farber’s adaptation keeps the audience ‘gripped throughout’
Anya Chalotra and Luke Thallon delight in this ‘Eastern Bloc Shakespearean tale’
Marina Carr’s drama features a ‘jaw-dropping’ lead performance, but is somewhat let down by its ‘unrelentingly pounding’ subject matter
Shouts, snatches of song, and sudden clashes of cymbals keep everyone on edge
Yaël Farber’s star-studded take on the classic is elegant, but ‘both its visual beauty and horror are overexposed’
Adrian Lester and Danny Sapani shine in Lolita Chakrabarti’s play, which was live-streamed over a four-day run
Rupert Goold’s reprisal of Mike Bartlett’s family drama ‘does not have a single chink in its armour’
John Webster’s early 17th century classic is an ‘object lesson in the iniquity of restrictions on a woman’s sexual conduct’
Robert Icke’s third collaboration with Juliet Stevenson, and his last outing as the theatre’s associate director, is ‘impeccable’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’
Sharp choreography and bursts of humour lift this terrifying glimpse over the abyss
The N1 theatre stages the tragedy with a variety of bells & whistles that make for a stylish production
The show, devised by the Almeida young company, saw audiences peppered with provocative yes-or-no questions
Echoes of Rigsby from 70s sitcom Rising Damp in the way Fiennes turns dialogue into series of japes
Innovative production brings Leo Butler’s stark vision of 21st century London to life in Boy at the Almeida
Playwright Alecky Blythe recreates a community in crisis in her latest verbatim play