The Taming of the Shrew, Barbican Theatre, stage review: ‘Gender reversal offers an ingenious twist’
Justin Audibert’s ‘inside-out version’ of Shakespeare’s classic is ‘highly enjoyable’
Justin Audibert’s ‘inside-out version’ of Shakespeare’s classic is ‘highly enjoyable’
Kimberley Sykes’ take on the Shakespearean comedy feels ‘novel for the sake of it’
Theatre of Nations brought Anton Chekhov’s first full-length play to London in its original language – but subtitling issues resulted in confusion
Director Timothy Sheader’s fresh take on the classical Lloyd Webber musical ‘enthralls, appalls and innovates’