Breakin’ Convention, Sadler’s Wells, dance review: ‘Adaptable, astounding and delightful’
The inspirational festival of hip-hop returns to the stage and lives up to its name
Sadlers Wells
Breakin’ Convention – Social DisDancing, Sadler’s Wells, stage review: ‘A celebration of local culture and resilience’
This condensed version of the annual hip-hop festival, performed in December before restrictions tightened, has ‘an overarching message of hope’
TOM, Wilkie Branson, Sadler’s Wells Digital Stage, dance review: ‘Emotional, complex and unique’
Part of Sadler’s Wells Theatre’s online archive, this creative piece, put together by digitising 250,000 photographs, offers a ‘message of hope for the arts’
Lockdown? Lock-in! festival, Breakin’ Convention on YouTube, dance review: ‘Isolating but not isolated’
The 15th annual hip-hop extravaganza is a bit different this year, but ‘the same love, respect and connectivity’ is on show
Revisor, Sadler’s Wells, dance review: ‘Using humour to expose the dark side of imperial bureaucracy’
Choreographer Crystal Pite and director Jonathan Young are a ‘partnership made in heaven’
Pina Bausch’s Bluebeard, Sadler’s Wells, dance review: ‘Clever, funny and harrowing’
German company Tanztheater bring the late Bausch’s show to the UK for the first time – and do justice to her legacy
Marvin Khoo & Temple of Fine Arts, Sadler’s Wells: ‘Exceptional dance company conjures up myth and magic’
The Bharatanatyam ensemble dazzled audiences last month as part of Darbar Festival 2019
A hotly anticipated UK debut from Taiwanese dance sensation
Cloud Gate 2, the sister company of the renowned Cloud Gate Dance Theatre of Taiwan make their highly anticipated UK debut with a thrilling triple bill of dance at Sadler’s Wells later this month.
London International Mime Festival comes to East London this month
An eclectic range of productions at this year’s festival includes puppeteer Basil Twist and light, inspired by the Edward Snowden leaks
Step Into Dance
This innovative youth dance project is a collaboration between the Royal Academy of Dance, Sadlers Wells and the Jack Petchey Foundation