Hackney Empire announces new artistic director in leadership shake-up
Longtime member of the creative team Yamin Choudury replaces panto pioneer Susie McKenna, who stepped down at the start of 2017
Longtime member of the creative team Yamin Choudury replaces panto pioneer Susie McKenna, who stepped down at the start of 2017
The Royal Shakespeare Company come to Hackney with a West African-influenced production that features their first use of a black actor in the title role
From over 50s to Turkish theatre, the Dalston theatre is throwing the spotlight on underrepresented groups’ stories in this iteration of the annual festival
Following a free community meal, the stories of twenty locals from all walks of Wick life will be told tomorrow 13 January
The magazine gave the Dalston performance hub the nod for its recent LED lighting scheme and its many other environmental credentials
We talk to Aisha Jawando and Kat B, playing Cinderella and an Ugly Sister respectively, about what panto is all about
The ‘Mother Theresa meets Greek mythology’ plot may be a tad obtuse, but this memorable piece of dark, poetic theatre makes the most of its unusual staging
We speak to the Olivier Award-winning lyricist Robin Norton-Hale about the company’s unique take on Eugene Onegin
This production of the witty, contemplative 1982 play brings together thinly-veiled versions of Marilyn Monroe, Albert Einstein, Joe McCarthy and Joe DiMaggio
The cabaret and drag inspired solo narrative is the venue’s first play
The intensity of the performances – particularly during the fights – gives visceral power to this otherwise stripped-back production of David Auburn’s Tony Award-winning play
Booze license approved for site on Northwold Road despite objections from locals
Rio Cinema performance of the musical version of the 1992 Whoopi Goldberg film, taking place this Friday, will be the culmination of a two-week scheme run by Hackney’s Mind Your Language
This new, zeitgeisty production – the opener of the Arcola Theatre’s Grimeborn opera season – is packed with ideas that sometimes pay off, but is ultimately noisy and confused
Children aged 14 to 16 shadowed Empire staff and pitched hypothetical productions as part of the theatre’s drive to engage East London’s youth
This enjoyable staging of Shakespeare’s historic tragedy makes the most of its stark setting and a “performance on fire”