No Show, Yard Theatre, stage review: ‘Slices of satire and silliness’
Christopher Green’s meta play ‘successfully explores the agony of the artist who must bare themselves to a room full of strangers’
Stage
Time and Tide, Park Theatre, stage review: ‘A touching if predictable look at small-town life’
James McDermott’s new play is a ‘mixed bag’, but ultimately a ‘sweet and uplifting’ tale of a community in flux
Pina Bausch’s Bluebeard, Sadler’s Wells, dance review: ‘Clever, funny and harrowing’
German company Tanztheater bring the late Bausch’s show to the UK for the first time – and do justice to her legacy
Albion, Almeida Theatre, stage review: ‘A beautiful parable for modern times’
Rupert Goold’s reprisal of Mike Bartlett’s family drama ‘does not have a single chink in its armour’
Gut, Barbican, stage review: ‘Thrilling, inquisitive and well-acted’
Frances Poet’s ‘razor-sharp’ family drama, performed by Guildhall graduates, avoids ‘black and white simplicity’
Galactik Ensemble, Sadler’s Wells: ‘If all mime is this energetic, sign me up’
The French company’s show for London’s International Mime Festival mixes ‘incredible acrobatics with wry humour’
Hackney playwright’s film wins Best Screenplay at illustrious Lift-Off awards
Tamara von Werthern ‘over the moon’ after picking up the gong at a ceremony at Pinewood Studios this month
Falling In Love Again, King’s Head Theatre, stage review: ‘Thank goodness it is short’
Ron Elisha’s new play imagining the night before Edward VIII’s abdication is not a patch on the royal family’s real-life drama
Jack Left Town, Rosemary Branch, stage review: ‘Deft, jaw-achingly funny improv’
Four comedians channel Spinal Tap in an unscripted show that is ‘well worth a visit’
The Red Shoes, Sadler’s Wells, ballet review: ‘Lavish, beautiful and devilishly funny’
Matthew Bourne’s retelling of the classic film is full of ‘satirical and playful magic’
Marvin Khoo & Temple of Fine Arts, Sadler’s Wells: ‘Exceptional dance company conjures up myth and magic’
The Bharatanatyam ensemble dazzled audiences last month as part of Darbar Festival 2019
Hackney playwright’s first film to feature in prestigious festival this weekend
Tamara von Werthern’s short film, directed by another local, Marcus Liversedge, shows at Genesis Cinema on Sunday as part of London Lift-Off
The Duchess of Malfi, Almeida Theatre: ‘High-octane take on a surprisingly modern play’
John Webster’s early 17th century classic is an ‘object lesson in the iniquity of restrictions on a woman’s sexual conduct’
Acosta Danza: Evolution, Sadler’s Wells: ‘Cuban dance troupe at its eclectic best’
After returning from a critically acclaimed world tour, Carlos Acosta and his cast light up the stage with new and existing work
The Taming of the Shrew, Barbican Theatre, stage review: ‘Gender reversal offers an ingenious twist’
Justin Audibert’s ‘inside-out version’ of Shakespeare’s classic is ‘highly enjoyable’
Emanuel Gat: Works, Sadler’s Wells, stage review: ‘Experimental dance without the pretension’
Choreographer Emanuel Gat creates ‘beauty in chaos’ in this collection of pieces